Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Área: Central / Downtown

Fuente: El Paso Museum of History; Las Cruces Museums

Cargado por: El Paso Museum of History

Comentarios

Hacer un comentario
Gracias por su comentario

Reportar esta entrada

Elige la razón más importante para este reporte

Tu nombre

Tu correo electrónico

Detalle opcional

Gracias por su reporte

Más sobre la misma comunidad-colección

Display case with memorabilia. Mary Haskins & Joe Gomez

Display case with memorabilia. Credit: Mary Haskins and Joe ...

The Bear - nickname given to Don Haskins

The Bear - a nickname given to Don Haskins because of his ...

First Wall of Giants

El Paso's First Wall of Giants Reception in 2009. Credits: ...

Mary Haskins wife of Don Haskins speaks - EL Paso, Texas

Mary Haskins wife of Don Haskins speaks during El Paso Museum of ...

First Wall of Giants - Official unveiling

Official unveiling of El Paso's "First Wall Of Giants" dedicated ...

Chamber Gala, El Paso, Texas 2014

Joe and Laura Gomez at annual chamber gala with Mr & Mrs Matt ...

Hire El Paso First

Joe Gomez at City Hall with Bruce Collins. Celebrating the ...

Hall of Fame Award - Don Haskins, 1997

Hall of Fame Award - Don Haskins, 1997 Credit: Mary Haskins

Joe Gomez receiving Star on the Mountain Award 2006

Accepting Star on the Mountain Award by City Council . Coach ...

Joe Gomez, Laura Gomez and friends at the Jersey Boys

Friends at the Jersey Boys concert at the Plaza Theater

Joe Gomez Star on the Mountain Award

Star on the Mountain Trophy

Arts Festival Plaza - El Paso, Texas

The Arts Festival Plaza is located in the heart of downtown El ...

Elevtors at Cortez

Where else will you see such beautiful elevator doors in El ...

Trost Beauty Everywhere!!

This is view is from inside the Wells Fargo building. You can ...

Railroad Union Depot, El Paso, TX circa 2015

Have you ever visited the Downtown Union Plaza? The inside is ...

City Hall Before Demolition

My granddaughter was amazed as she stood in front of City Hall ...

El Paso Public Libray

The El Paso Public Library’s history goes back to 1894 when ...

El Paso Public Library

In 1943, the library's collections had again outgrown its ...

El Paso Public library

Main Library located at 501 N Oregon street - side entrance.

El Paso Public Library Entrance

Main (Downtown) Library 501 N Oregon, Entrance sign.

Main (Downtown) Library - El Paso, Texas

Main (Downtown) Library 501 N Oregon entrance. The Downtown ...

El Paso Public Library Downtown Branch

The El Paso Public Library serves the needs the public in El ...

Fan Fiesta 2013

Judson F. Williams Convention Center

home.search_collection