Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Elegy Virtual Exhibit EPMA

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Installation view, Elegy, EPMA.

Elegy March 13 - July 5, 2020 Hoy Seminar Room, El Paso Museum of Art For decades, artist Mary Paz Cervera (born 1967, Mexico City) has made paintings and sculptures that evoke death and affirm life. The textured surfaces of her work, often created using encaustic media or involving collage, reflect an approach that is at times personal and at others environmental or cultural. Family is depicted, but so is wildlife and those affected by institutional violence. This exhibition features two recent bodies of artwork, each reflecting a different perspective and realized in a different media. Hanging on the walls are more than a half dozen paintings from Cervera’s 2015 series “Vuelo Rojo” (“Red Flight”). Each painting is nearly five feet wide and depicts a flock of birds soaring in a wash of celestial silver pigment, yet surrounded ominously by a red halo. As companions to the paintings, in the center of the gallery hang sculptures from the artist’s 2019 series “Perséfone” (“Persephone”). In this series, Cervera examines gender-based violence through the lens of a Greek myth, about the kidnapping of a goddess resulting in the withering of life on earth. The sculptures on view are dresses—for different bodies and occasions—woven from crime scene tape, evoking female victims through absent bodies. The paintings and sculptures by Mary Paz Cervera in Elegy provide a chance to consider what death—and thus life—means to each of us. Support for this exhibition provided by the Consulate General of Mexico, AMEXCID, Centro Cultural Mexicano Paso Del Norte, the Hotel at Sunland Park Racetrack, El Paso Museum of Art Foundation, and El Paso Museums and Cultural Affairs Department.

Área: Central / Downtown

Fuente: Installation view, Elegy, El Paso Museum of Art, March 13 - July 5, 2020.

Cargado por: Kevin Burns

Comentarios

Hacer un comentario
Gracias por su comentario

Reportar esta entrada

Elige la razón más importante para este reporte

Tu nombre

Tu correo electrónico

Detalle opcional

Gracias por su reporte

Más sobre la misma comunidad-colección

The Plaza Theatre

This picture was taken during the yearly Plaza Classic Film ...

El Paso Electric Early Marketing Days

Sale of electric irons and ironing tables in 1940's for $7.65, ...

Play Ball Video - El Paso!!

Here's a short video of a fun evening out at the ballpark. ...

El Paso Electric Sponsored Safeway Cooking Classes

El Paso Electric Company sponsored Safeway cooking classes on ...

EPIA Control Tower Under Construction

In 1968, El Paso International Airport opened the nation’s ...

c. 1971— EPIA rotunda, concourse B

c. 1971— EPIA rotunda, concourse B

c. 1970 — EPIA security

c. 1970 — EPIA security

El Paso International Airport Front Terminal c. 1950

The front of the airport as seen in the 1950's

Airport Lobby c. 1950

The airport's main lobby as seen in the 1950's

Airport Lobby c. 1950

A ground view of the airport lobby as seen in the 1950's

Airport Grand Opening 1928

On September 8, 1928, some 10,000 El Pasoans attended the new ...

Expansión de aeropuerto c. 1950

The 1942 terminal was expanded by 1948 with two wings on the ...

Air Traffic Control Tower Under Construction c.1968

Air Traffic Control Tower Under Construction c.1968

Air Traffic Control Tower Under Construction c.1968

Air Traffic Control Tower Under Construction c.1968

I LOVE YOU!

I LOVE YOU!

Mural de El Paso

Mural Painted by Carlos Callejo. About twenty years ago, AIDS ...

Hombre de Nieve en Calle Oregon y Mills

Snowman waiting for Sun Metro Bus in 2015

El Paso Sheriff's Posse and the 2014 Walk-A-Mile Event

The El Paso Sheriff's Posse men support the Walk-A-Mile In her ...

EPMH Volunteer and Staff giving out balloons

Lisa and Esther giving out balloons for the opening of Digie

El Paso Ghostbusters at EPCON 2014

@ El Paso Comic Con 2014

Navidad en la Placita 2006

While visiting Family in El Paso, we stopped at the Placita in ...

el Guitarrista

A man carries his new guitar in Downtown El Paso.

Maria

Shopping in Downtown El Paso.

home.search_collection