Low & Slow: Lowrider Culture On The Border

Low & Slow: Lowrider Culture On The Border

In El Paso, Texas or Chuco, Tejas, the Lowrider is more than a weekend hobby. Lowriding is a way of life. It is not subculture to the Mexican American experience but part of a complex form of lived history and visual culture. It is a unique iteration of a deeply rooted tradition in auto-mobility. In El Paso, the lowrider could trace its earliest roots to the 1940s, most notably after the Second World War. Arguably, the trend originated in California and made its way to Texas. With the resurgence of full-scale car production after the war, affordable vehicles allowed the working class to access their own ranflas. By the 1970’s, lowriding was a well-known past time representative of a unique brand of “Americanness.” Lowriders were also part of a larger expression that included pachucos/pachucas with their zoot suit styling and cruising. This included an affinity for listening to “oldies.’’ The lowrider lifestyle with all its panache and florid expression is also a form of self-determination in the American visual landscape: a belief that Mexican-Americans resist mainstream aesthetics in favor of their own canon. In other words, to ride on one’s own terms, low & slow with ‘stilo. Low and Slow: Lowrider Culture on the Border has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor. Any views, findings, conclusions, or recommendations expressed in this exhibition, do not necessarily represent those of the National Endowment for the Humanities.

Area: Central / Downtown

Source: El Paso Museum of History

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Report this entry

Choose the most important reason for this report

Your name

Your email address

Optional detail

Thank you for your report

More from the same community-collection

DIGIE

Installing the Digital Wall - January 13, 2015.

Bonnie Low - Gibson Group

As Associate Producer with the Visitor Experiences team Bonnie ...

Allan Smith - Gibson Group

Allan Smith - Director of Exhibitions - installing the Digital ...

Chalk the Block Public Arts Festival 2014

Chalk the Block is a free 3 day Public Arts Festival that takes ...

Bonnie Low & David Crossan

Construction for the Digital Wall - January 13, 2015.

DIGIE

Special glass from Germany arrives. Contruction for the Digital ...

DIGIE

Special glass from Germany arrives. Contruction for the Digital ...

DIGIE

Special glass from Germany arrives. Contruction for the Digital ...

DIGIE

Special glass from Germany arrives. Contruction for the Digital ...

DIGIE

Bonnie Low stands in front of special glass from Germany. ...

Behind the Digital Wall

Stairs behind the Digital Wall. January 13, 2015.

Behind the Digital Wall

Stairs behind the Digital Wall. January 13, 2015.

DIGIE

Back of the screen that will hold the weight. January 13, 2015.

DIGIE

Allan Smith, Director of Exhibitions from the Gibson Group.

DIGIE

The Gibson Group --left to right: Allan Smith, Bonnie Low, and ...

DIGIE

Back of the 95 inch screen that will hold the weight. January ...

DIGIE

Photograph taken behind the Digital Wall - January 13, 2015.

DIGIE

Behind the Digital Wall --January 13, 2015.

DIGIE

The five 95 inch screens are installed - January 14, 2015.

DIGIE

The five 95 inch screens are installed - January 14, 2015.

DIGIE

Allan Smith - Director of Exhibitions for Gibson Group - making ...

DIGIE

David Crossan from the Gibson Group installing the five 95 inch ...

DIGIE

The five 95 inch screens are installed - January 14, 2015. David ...

home.search_collection